Amanda’s third book ‘Fortune’, published by Peepal Tree Press is launched online on July 21st 2021. You can book tickets here.
The book has already gained some excellent reviews. The Guardian called it ‘magnificently absorbing’ and compared her to Jean Rhys. Review here. Perspective Magazine announced it was ‘pitch perfect’ , one of their recommended reads. Review here. Newsday called it ‘brilliant’. Review here.
Charlie’s third book from Egaeus Press promises to be another scintillating read from this master of the weird and unsettling. As the Press put it:
‘Anybody fortunate enough to have read either of Egaeus Press’s previous Charles Wilkinson collections (A Twist in The Eye & Splendid in Ash) will already be familiar with the unique worlds his tales inhabit. On the face of it, these are often recognisable realities populated by ordinary people; conspicuously so perhaps! Yet they are realities whose gossamer veneers are liable to tear, prone to reveal the insidious agencies, mad philosophers, fake-philanthropic organisations and amorphous forces that are really running things!
‘With Mills of Silence, Charles Wilkinson presents a collection of eleven short stories as well as a previously unpublished novella, constituting his most expansive and essential work to date.’
Rebecca joined TSFG in 2017 and although she has since moved to Spain, she remains a remote member (via Zoom). In her blog she writes about her struggle with illness and her first steps with novel writing.
‘As well as a source of invaluable creative feedback and publishing advice from fellow writers, Tindal Street helped me take my first shaky steps out into the world again, and returned a sense of belonging and purpose to my reclusive days laid up at home feeling ostracised from society. It allowed me to think of myself as a novelist, instead of as a sick person. I started taking care of my appearance again, and even made it out to the pub on one occasion! The group was an important part of my rehabilitation process and I owe it so very much.’
Ex TSFG member Garrie’s story ‘Every Little Bit Hurts’ appears in the latest issue of Prole (cover above). Garrie says ‘it is a bitter sweet tale of one man’s inflammatory response to his wife’s untimely death’.
TSFG member Cathy’s new book contains both poetry and prose, and has won critical praise: “An unflinching look at life rooted in a West African childhood and embracing urban England… poetry and prose lightly peppered with Igbo words and phrases. These vignettes, facts and dreams, with a rich cast of characters, confront us with a spectrum of human experience in vivid, succinct language.” — Chris Fewings, poet and literary organiser
You can see Cathy read in one of the videos on the Waterloo Press’s site here.
Beard’s story ‘The Room Peels’ is one of 19 ‘tales of modern unease’ in which authors, including Mark Haddon and Margaret Drabble, were asked to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject and George Bataille’s societal equivalent. Read more here.
TSFG members Mick Scully, Natalie White and Marg Roberts appear in Lockdown Tales. This project ‘aims to gather stories about living in times of national emergency. We are collating anecdotes of past and present, when people’s personal freedoms were suddenly restricted. Examples of these situations could be wars, the AIDS crisis, or fleeing to another country as a refugee. You are free to write in any short literary art form, including memoir, fiction, poetry or drama on any subject triggered by our title.’.
Lockdown Tales is one of many initiatives run by the innovative HEARTH Centre, an organisation which ‘uses the arts to animate key issues in mental health, social care and the humanities, and promote well being – which we do through theatre productions and literary events and courses.’ More information here.
An essay on the battle for our attention in the age of distraction.
‘Attention pays. In today‘s online economy it has become a commodity to be bought and sold… In exchange for our attention, information and entertainment is ever at our fingertips. But at what cost? In this essay, at once personal and polemical, meditative and militant, Julia Bell asks what has been lost in this trade off. How can we reclaim our attention? In a world of infinite distraction, how can attention become radical?’